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She was a powerful concert presence, singing and chanting her lyrics in an untrained but expressive voice, whirling around the stage like an ecstatic shaman delivering incantations.A regular at CBGB’s during the early days of New York punk, she was the first artist of the bunch to land a record deal and release an album, even beating the Ramones to the punch.She never relied on sex appeal for her success — she was unabashedly intellectual and creatively uncompromising, and her appearance was usually lean, hard, and androgynous.She also never made an issue of her gender, calling attention to herself as an artist, not a woman; she simply dressed and performed in the spirit of her aggressive, male rock role models, as if no alternative had ever occurred to her.Some critics roasted her for the conceit in the ensuing controversy, but the song achieved a measure of redemption when it was included on the Natural Born Killers soundtrack in 1994.1979’s Wave found Smith’s sound becoming increasingly polished, thanks in part to new producer Todd Rundgren; however, many reviewers found it her least developed set of material.

Kaye had written a magazine essay on doo wop that impressed Smith, and the two found that they shared a love of early and obscure rock & roll. Mark’s Church in February 1971, she invited Kaye to accompany her on the electric guitar for three pieces.Punk rock’s poet laureate, Patti Smith ranks among the most influential female rock & rollers of all time.Ambitious, unconventional, and challenging, Smith’s music was hailed as the most exciting fusion of rock and poetry since Bob Dylan’s heyday.In the process, she obliterated the expectations of what was possible for women in rock, and stretched the boundaries of how artists of any gender could express themselves.Smith was born in Chicago on December 30, 1946; her parents moved to Philadelphia when she was three, and then to the nearby, less urban town of Woodbury, NJ, when she was nine.

Kaye had written a magazine essay on doo wop that impressed Smith, and the two found that they shared a love of early and obscure rock & roll. Mark’s Church in February 1971, she invited Kaye to accompany her on the electric guitar for three pieces.

Punk rock’s poet laureate, Patti Smith ranks among the most influential female rock & rollers of all time.

Ambitious, unconventional, and challenging, Smith’s music was hailed as the most exciting fusion of rock and poetry since Bob Dylan’s heyday.

In the process, she obliterated the expectations of what was possible for women in rock, and stretched the boundaries of how artists of any gender could express themselves.

Smith was born in Chicago on December 30, 1946; her parents moved to Philadelphia when she was three, and then to the nearby, less urban town of Woodbury, NJ, when she was nine.

Something of an outcast in high school, she found salvation in the poetry of Arthur Rimbaud, the writings of the Beats, and the music of soul and rock artists like James Brown, the Rolling Stones, the Doors, and especially Bob Dylan.